Thursday, November 5, 2026About · brandoncorrell.com
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What's new in AI and marketing, and how to use it this week. For owners who sell.
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Google Cut Its AI Video Price 30% and Clips Now Run 15 Seconds

Google's new model makes 15-second clips at $0.07 per second at 720p. Here is what that does to how many ads you can test.

Boat dealership owner checking phone on sales lot at sunset.
Illustration (AI-generated)

Google just cut the price of its AI video model by 30%. The same tool now makes 15-second clips instead of 10. For a boat dealer, that is a whole ad spot from a single generation.

Google Just Shipped a 15-Second Ad Machine

On November 5, Google released Gemini Omni 1.2 Flash and opened it to developers and business users. The model now builds native 15-second video clips, up from 10 seconds in the version before it. You can set the length anywhere between 3 and 15 seconds, in one-second steps.

Google says the longer window gives you room to "produce full social ad spots in a single generation."

The update also brought a cost reduction. Google cut the price by 30% compared to the prior model. The new rate is $0.07 per second for 720p video.

Google also built a way to keep costs down while you work. You can work fast at lower resolution, fix one detail with a follow-up edit rather than redoing the whole clip, then upscale your best takes to 1080p or 4K.

Editing is conversational. Across a full 15-second clip you can swap a product or a background, change the lighting or the weather, or switch the aspect ratio — turn by turn, without re-briefing or starting over.

And you are not stuck with the first version you make. Google describes multi-turn editing that turns one clip into separate versions aimed at different audiences and placements.

Boat dealer and marketer reviewing video ad variations on computer.
Illustration (AI-generated)

Why This Landed Now

The earlier version, Omni 1.1, stopped at 10 seconds. My read: ten seconds is a Story, not an ad spot.

Google's own side-by-side shows the gap. Given the same studio lighting poster and the same five-layer prompt, the older 1.1 model tracked the reference image less closely than 1.2. The newer model builds the poster layer by layer and holds the materials, shadows and type steady through the last frame.

This is also the first time Gemini Omni is generally available, running on Google Cloud's enterprise infrastructure and security, with Provisioned Throughput available and an imperceptible SynthID watermark on the output.

Google is upfront about what still needs work: fast sports, quick script changes and complex physics. So this is not a highlight-reel machine yet.

The Detail That Matters Most If You Sell Physical Products

Here is the part I would circle if I sold boats.

You can guide a clip with reference images of a character, a product or a style, plus audio cues and motion clips that run up to three seconds. The model holds those details from the first frame to the last. Google says faces, garments, packaging text and brand colors hold steady across camera angles.

That means your real product photography becomes video. Google's example: one model photo plus shots of three outfits from the front and back becomes a 15-second virtual try-on clip that turns through 360 degrees with match cuts, keeping the model's face and each outfit's cut, drape and back details steady.

Google also says "products, characters, props, and environments stay consistent from shot to shot." You can connect a first and last keyframe, or stretch a clip into a longer sequence.

The camera work got better too. Google points to sweeping FPV flythroughs, dramatic zoom-outs and orbits with fewer unwanted jump cuts, and shows a single continuous FPV drone flight with zero jump cuts guided by two reference photos.

For background swaps, Google walks through one clip whose background changes turn by turn — a striped tent, then a stand of oaks, a stable with a white horse, then a market fair, then a stone castle — while the characters' performances and the camera framing stay intact.

There is also more natural dialogue and better lip-sync, with each speaker handled separately, which shows up in Flow, Gemini for business and Google Vids.

What It Means for an Owner Who Sells

My read, and this is opinion: the cost of a decent-looking video ad just fell through the floor. Not the cost of a good ad. The cost of a decent-looking one.

Picture a boat dealer with six units on the lot. My read: a video shoot today usually means a photographer, a drone operator, a day of your sales manager's time and a week of waiting. Under this setup, you shoot stills of each boat — bow, helm, stern, upholstery, trailer — and feed them in as references. You get catalog spins and 15-second walkarounds for each unit, and you swap the background from a marina to open water without reshooting. Testing a family-day-on-the-lake angle against a fishing-rig angle is a second turn, not a second shoot.

Picture that same dealer running paid social. My read: the old bottleneck was creative volume — two or three videos, run until they died. The new bottleneck is knowing which variant won. That is a better problem to have.

Here is what has not changed. The model does not know your lot, your customers or your close rate. It makes pixels. You still have to answer the phone.

How to Use It This Week

  1. Pick your ten best stills. Not your ten best units — your ten best photos. Clean background, good light, product filling the frame. Google's reference system works off images you already have, so this costs you an afternoon, not a budget.
  1. Write one 15-second script per unit. Fifteen seconds goes fast. Write it out: this is the 22-foot deck boat, it seats ten, there is a 150 on the back, and it is on the lot right now. That is your whole ad.
  1. Generate at 720p first. Google's own workflow says to draft at lower resolution, then upscale the winners. Do not burn time on 4K takes you are going to throw away.
  1. Fix with a follow-up edit, not a re-roll. If the color is off or the background is wrong, edit that one thing. Google's multi-turn editing is built for this.
  1. Cut three variants of the winner. Same clip, three different openings. One for price shoppers, one for first-time buyers, one for people who already own one.
  1. Run them as Reels and Stories. Post organically for a week before you put money behind anything.
  1. Check the watermark and the rules. Outputs carry a SynthID watermark. If your platform or your manufacturer has rules about AI-generated creative, read them before you spend.

Prompts you can copy:

Boat dealer: 15-second walkaround of a center console fishing boat. Start on the bow, push in toward the helm, end on the stern livewell. Bright morning light, calm water behind. Keep the hull color and the logo on the side exactly as shown in the reference image.
Second angle: Take the last clip and swap only the background to a different season. Keep the product, the camera move and the lighting identical.
Outdoor building dealer showing video to couple on tablet at display lot.
Illustration (AI-generated)

Mistakes to Avoid

  • Do not lead with the tool. Your customer does not care that it is AI. They care whether the boat fits their family and whether the price fits their budget.
  • Do not skip the stills. Weak reference images make weak video. The model holds onto what you give it, including the bad parts.
  • Do not run 15 seconds of features with no next step. Say what it is, say what it costs or how to ask, and say what to do next.
  • Do not bet the spring campaign on fast action. Google says sports action and complex physics are still being worked on. Do not build your launch around a wakeboarding shot.

The Part AI Cannot Do for You

Everything above makes the pixels cheap. It does not make the footage real.

That is the gap I keep running into with owners. AI can spin a product, swap a background and cut three ad variants in an afternoon. What it cannot do is show a customer's face when they pick up the keys, or your team walking the lot at 7 a.m., or the actual row of boats sitting behind your fence.

My read: real footage beats stock. Every time. It also beats a generated clip that looks almost right.

So here is how I would sequence it. Get real footage first. Then use the AI tools to cut variants, swap backgrounds and stretch one shoot into a quarter of content. You feed the model real reference images instead of stock photos, and everything downstream gets better.

See how our video shoots work

Opens salesbeast.com

Disclosure: Brandon Correll founded SalesBeast, which is mentioned and advertised on this page. Facts are drawn from the linked sources; analysis and advice are his opinion.

Brandon Correll
Brandon Correll founded SalesBeast. Over $75 million in online sales, built two companies to eight figures, and built multiple 8-figure sales teams.
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